It would be unfair to the concept of time to waste it by recounting the story in detail.
This is the only number she has not choreographed herself. Moments later, along comes Divya, all limbs and no grace, dancing awkwardly at a party to a song titled Humne Pee Rakhi Hai. Within seconds of Pulkit’s emergence on screen in Sanam Re, his car radio plays Sunny Sunny. She made her directorial debut with 2014’s sleeper hit Yaariyan which some of you who have not seen may still recognise from its signature song by Yo Yo Honey Singh with the truly cerebral lyrics, “Aaj blue hai paani / Paani paani paani paani paani / Aur din bhi sunny / Sunny sunny sunny sunny sunny.”Ī still from 'Sanam Re'. The lady had tried her hand at acting over a decade back before she married Bhushan Kumar, son of T-Series’ founder Gulshan Kumar. Divya, who? Did I hear you right? Precisely. Sanam Re’s inexplicable choreography is credited to the film’s director, Divya Khosla Kumar, who must be delusional considering that she pays tribute to herself twice within the first few minutes of the film. I suppose you could liken her to a gymnast performing floor exercises at the Olympics – except that the quality of those moves is so poor that she would be refused entry to gali-level contests. A few seconds after that laughable routine, there she is again, bending to plant both hands on the ground where Pulkit lies, then throwing the rest of her body up in the air in what appears to be an attempt at a hand stand, before descending on his prone body. She leans her back against Pulkit’s body, encircles his neck with her raised arms, jumps in the air, does a mid-air split, then sinks down with both legs spread wide apart.
In one scene, actress Urvashi Rautela shakes her ample booty dressed in a white outfit with what seems like macramé trimmings. Those who planted the label “Jumping Jack” on poor Jeetendra in the 1980s may feel inclined to mail him an apology if they see the hilarious dance steps in Sanam Re. It is a cringe-worthy film with cringe-worthy pretensions to gravitas and grandeur, amateurish writing and the most ludicrous choreography ever seen in mainstream Bollywood. If you want to fully understand the struggles of newcomers without powerful godparents in the Hindi film industry, watch dear Yami Gautam from Vicky Donor (2012) and the very likeable Pulkit Samrat from Fukrey (2013) brave their way through Sanam Re.
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